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Participation is voluntary and anonymous.
Whether a silent film screening in the Stephanssaal, a performance of Peter and the Wolf for around 300 elementary school children, or a concert tour to Paris: students, staff members, alumnae, and alumni in the KIT Chamber Orchestra shape their sense of community together.
For Luise Dauth, it was clear that she wanted to continue making music while pursuing her studies. When she moved to Karlsruhe for university, she therefore looked for an orchestra. “Making music with others gives you so much. It means a great deal to me and makes me happy,” Luise explains.
Nils Dettweiler also wanted to continue playing in an orchestra after finishing school. He has been a member of the KIT Chamber Orchestra for almost three years. What particularly inspires him is the shared journey leading up to a concert. “With every rehearsal, we move closer to our goal, and in the end, it always sounds good,” says Nils.
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Participation is voluntary and anonymous.
A particular highlight for both of them was the concert tour to Paris. Thanks to financial support, the trip was affordable for students as well. For Luise, the time spent together remains the strongest memory. Nils adds: “As a group, we grew significantly closer.”
Since 2022, François Salignat has directed the orchestra. He describes his role differently from that of a traditional conductor: “I see myself less as a boss and more as an animator.” This approach is reflected in the rehearsals. “We discuss a great deal, and everyone contributes their opinion.” François particularly values the input of students: “They bring an entirely new dynamic, and I find this exchange between generations very exciting.”
The seating arrangement provides a clear example of how this philosophy is put into practice during rehearsals. Although more experienced members often sit closer to the front, orchestra members regularly switch seats. “That also helps you feel on an equal footing with the other participants,” says Nils. “It creates a stronger sense of community, and everyone can take the initiative from time to time.” Luise also appreciates the open atmosphere. “On the first Tuesday of every month, we often go to Caminetto together,” she says.
For Luise and Nils, rehearsals are a fixed commitment alongside lectures and exams. “It helps me stay committed,” explains Nils. Luise values the balance it provides: “It helps me switch off from everyday university life.” Above all, however, it is the people who matter most to her. “It brings me friends, like-minded people, and fellow musicians whom I meet once a week,” she says.
According to Luise, anyone interested in getting to know the orchestra only needs to take the first step: “Simply send an email to the KIT Chamber Orchestra, come to a rehearsal, and see for yourself.” Anyone who then wishes to become a member must first complete an audition.
Hannah Studinsky, October 15, 2026